Skip to main content

Posts

Showing posts with the label Art Setouchi

A little thought on AI

For more hands-on articles, please visit my new home of writing at 👉 vocus . In the evolving landscape of AI and large language models (LLMs), the ability to synthesise diverse pieces of knowledge is becoming increasingly crucial. It's no longer just about the information one accumulates but about grasping the underlying concepts that thread this information together into a cohesive, innovative framework.  A pivotal factor here is an individual's comprehension of 'connector words' or key concepts that bridge various domains of knowledge, facilitating groundbreaking insights and developments. In this scenario, learning skills are becoming more vital than ever before. It heralds an opportune moment to carve out one's niche in the AI-dominated future, a time to decide the role one wishes to play in this unfolding narrative.  Do you aspire to be a visionary, harnessing AI's potential to catapult humanity to uncharted territories, perhaps even fostering space colo

Art Setouchi in Winter(1)

小豆島の光 -王文志    2013年開展的瀨戶內海藝術季,與三年前略微不同,主要是在時間上做了一些改變,展期以春、夏、秋季節來區分,展覽作品也因此有些為分別,並且新增高松以西的五座小島,擴大了整個藝術季的活動場域。但為什麼會選在冬天前往?除了因展期時間無法配合之外,一來在官網上可以找到一份到2014年3月期間,作品與設施開放的時間表;二來回想起害怕人擠人的我們,上一趟也是藝術季開展後隔一年(2011)才出發;綜合前次經驗,以及對這個區域的熟悉程度,反而對冬天的瀨戶內躍躍欲試。

Art Setouchi 瀨戶內海藝術季2011 /行程交通篇

猶悉記得今年七八月第一次與友人提起這個藝術季,當時一句走吧走吧,促成七日的文藝之旅,一趟回來更加確定不虛此行。這次前往的瀨戶內海藝術季實為三年一次的活動,上一次舉辦時間為2010年,主視覺設計由原研哉操刀,擔任藝術總監的北川富朗將越後妻有藝術季的成功經驗,將舞台延續在七個島嶼之間,展開了一段環境、藝術、人與建築的對話。