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A little thought on AI

For more hands-on articles, please visit my new home of writing at 👉 vocus . In the evolving landscape of AI and large language models (LLMs), the ability to synthesise diverse pieces of knowledge is becoming increasingly crucial. It's no longer just about the information one accumulates but about grasping the underlying concepts that thread this information together into a cohesive, innovative framework.  A pivotal factor here is an individual's comprehension of 'connector words' or key concepts that bridge various domains of knowledge, facilitating groundbreaking insights and developments. In this scenario, learning skills are becoming more vital than ever before. It heralds an opportune moment to carve out one's niche in the AI-dominated future, a time to decide the role one wishes to play in this unfolding narrative.  Do you aspire to be a visionary, harnessing AI's potential to catapult humanity to uncharted territories, perhaps even fostering space colo

Art Setouchi in Winter(1)

小豆島の光 -王文志   

2013年開展的瀨戶內海藝術季,與三年前略微不同,主要是在時間上做了一些改變,展期以春、夏、秋季節來區分,展覽作品也因此有些為分別,並且新增高松以西的五座小島,擴大了整個藝術季的活動場域。但為什麼會選在冬天前往?除了因展期時間無法配合之外,一來在官網上可以找到一份到2014年3月期間,作品與設施開放的時間表;二來回想起害怕人擠人的我們,上一趟也是藝術季開展後隔一年(2011)才出發;綜合前次經驗,以及對這個區域的熟悉程度,反而對冬天的瀨戶內躍躍欲試。

只是,行程再怎麼順暢也是有意想不到的情況,尤其是新增的小島,沒料到非藝術季期間交通是一個大問題,以致於前幾天西邊小島的行程,爲了能夠成功銜接JR(四國予贊線)、很少班的公車(註1)以及船班,並能一天跑兩個島(高見島因為沒有展覽且時間因素而捨棄),在零度左右的氣溫天未亮就出門,我們還以為繼上次刻苦之旅後,這次會是豪華輕鬆行(註2),話說回來,也只有頭幾天去新的小島時比較辛苦,後面幾天就輕鬆多了,況且,也多了不同的收獲與體驗。(待續)

2013瀨戶內海藝術季島嶼分佈圖  圖片引用自官網 http://setouchi-artfest.jp/about/islands

(註1) 藝術季期間有接駁車可以搭乘,班次較多。
(註2) 有關上一次的瀨戶內藝術季之旅,文章其實只有寫了一篇,但那次的經驗,讓我們這次在計劃直島、豐島、小豆島等行程,做了比較輕鬆的選擇,如果有意前往這些小島,可作為另一參考。



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