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A little thought on AI

For more hands-on articles, please visit my new home of writing at 👉 vocus . In the evolving landscape of AI and large language models (LLMs), the ability to synthesise diverse pieces of knowledge is becoming increasingly crucial. It's no longer just about the information one accumulates but about grasping the underlying concepts that thread this information together into a cohesive, innovative framework.  A pivotal factor here is an individual's comprehension of 'connector words' or key concepts that bridge various domains of knowledge, facilitating groundbreaking insights and developments. In this scenario, learning skills are becoming more vital than ever before. It heralds an opportune moment to carve out one's niche in the AI-dominated future, a time to decide the role one wishes to play in this unfolding narrative.  Do you aspire to be a visionary, harnessing AI's potential to catapult humanity to uncharted territories, perhaps even fostering space colo

11月還不冷

兩個影像在不同瀏覽器各自顯現優劣不等的暗部層次,Firefox似乎嚴重些...有點困擾。一手拿著水杯、一腳(沒錯,是腳)頂著光源、一手按著快門,迷迭香種子的毛毛邊並沒有好好地被表現出來,基本上是在練身體來著....

新年快樂

年末,應景地放上今年的最後一篇文章,五味雜陳卻也打不出什麼文字,也怕過於嚴肅嚇壞了人。生離死別是每一個人都要面對的事,儘管不願意;提醒自己,一生中或好或壞、或對或錯,莫忘良善初心。 This post is scheduled to appears for 31 Dec.

One of the kept secret beaches in Taiwan

台灣夏季容易看到銀河的地點,大概就是合歡山(高山)和東部,光害少是唯一的要點。這次為了拍銀河也找到了一個秘密海灘;我想,每個人的筆記本裡,必定要藏著一片美的懾人的海,不需人人盡知,只留給願意冒險、懂得珍惜的旅人。

Art Setouchi in Winter(1)

小豆島の光 -王文志    2013年開展的瀨戶內海藝術季,與三年前略微不同,主要是在時間上做了一些改變,展期以春、夏、秋季節來區分,展覽作品也因此有些為分別,並且新增高松以西的五座小島,擴大了整個藝術季的活動場域。但為什麼會選在冬天前往?除了因展期時間無法配合之外,一來在官網上可以找到一份到2014年3月期間,作品與設施開放的時間表;二來回想起害怕人擠人的我們,上一趟也是藝術季開展後隔一年(2011)才出發;綜合前次經驗,以及對這個區域的熟悉程度,反而對冬天的瀨戶內躍躍欲試。

An old idea

犯錯的價值

I mean, this is life. For good and for ill, we generate these incredible stories about the world around us, and then the world turns around and astonishes us. 了解犯錯的根源,意識到自己犯錯,讓錯誤可以成為一種進步的力量。